This episode features an interview with Cedric Burrows conducted by guest interviewer Derek G. Handley. Their conversation focuses on Dr. Burrows' 2020 book Rhetorical Crossover: The Black Presence in White Culture. Along with many other topics, they discuss his writing process, the music and social movements he takes up in his research, the role of personal stories in theoretical writing and Black intellectual traditions, and how he decided to pursue a career in rhetoric and composition.
Dr. Burrows is an assistant professor in the Department of English at Marquette University. In addition to being the author of Rhetorical Crossover, he has published work in an array of scholarly journals and was the winner of Marquette's 2020 Excellence in Diversity and Inclusion Faculty Award.
Dr. Derek Handley is an assistant professor in the English Department at the University of Wisconsin-Milwaukee, where he is also affiliate faculty in the Department of African and African Diaspora Studies. He is currently working on a book project that explores the rhetorical and civic actions taken by African Americans in Pittsburgh, Milwaukee, and St. Paul, Minnesota, during the 1950s and ‘60s as they attempted to protect their communities from urban renewal.
This episode includes clips from the following:
This episode features guest interviewer Derek G. Handley speaking with Dr. April Baker-Bell. They discuss Dr. Baker-Bell's book Linguistic Justice: Black Language, Literacy, Identity, and Pedagogy as well as her work on such projects as the Black Language Syllabus and "This Ain't Another Statement! This is a DEMAND for Black Linguistic Justice!"
Dr. April Baker-Bell is a transdisciplinary teacher-researcher-activist and Associate Professor of Language, Literacy, and English Education in the Department of English and Department of African American and African Studies at Michigan State University. A national leader in conversations on Black Language education, her research interrogates the intersections of Black language and literacies, anti-Black racism, and antiracist pedagogies, and is concerned with antiracist writing, critical media literacies, Black feminist-womanist storytelling, and self-preservation for Black women in academia, with an emphasis on early career Black women.
Baker-Bell’s award-winning book, Linguistic Justice: Black Language, Literacy, Identity, and Pedagogy, brings together theory, research, and practice to dismantle Anti-Black Linguistic Racism (a term Baker-Bell coined) and white linguistic supremacy. The book provides ethnographic snapshots of how Black students navigate and negotiate their linguistic and racial identities across multiple contexts, and it captures what Antiracist Black Language Pedagogy looks like in community with Black youth. Linguistic Justice features a range of multimodal examples and practices through instructional maps, charts, artwork, and stories that reflect the urgent need for antiracist language pedagogies in our current social and political climate.
Baker-Bell is the recipient of many awards and fellowships, including the 2021 Andrew W. Mellon Foundation's New Directions Fellowship, the 2021 Michigan State University's Community Engagement Scholarship Award and the 2021 Distinguished Partnership Award for Community-Engaged Creative Activity, the 2020 NCTE George Orwell Award for Distinguished Contribution to Honesty and Clarity in Public Language, the 2019 Michigan State University Alumni Award for Innovation & Leadership in Teaching and Learning, and the 2018 AERA Language and Social Processes Early Career Scholar Award.
Dr. Derek G. Handley is an assistant professor in the English Department at the University of Wisconsin-Milwaukee, where he is also affiliate faculty in the Department of African and African Diaspora Studies. He’s currently working on a book project that explores the rhetorical and civic actions taken by African Americans in Pittsburgh, Milwaukee, and St. Paul, Minnesota, during the 1950s and ‘60s as they attempted to protect their communities from urban renewal. He is also collaborating on a digital public humanities project with his UW-Milwaukee colleague Anne Bonds entitled “Mapping Racism and Resistance in Milwaukee County.” That project uses GIS mapping and rhetorical analysis of racial housing covenants and African American resistance to them in Milwaukee County.
This episode contains a clip from Podington Bear's "Detroit."
This episode features an interview with John R. Gallagher conducted by guest interviewer Sarah Riddick. The interview focuses on Gallagher's 2020 book Update Culture and the Afterlife of Digital Writing. Gallagher and Riddick discuss the labor and upkeep involved in the digital writing practices of journalists, Amazon reviewers, and redditors, the methods and questions that inform Gallagher's work, and that work's implications for scholarly writing.
John Gallagher is an assistant professor at the University of Illinois, Urbana Champaign. He studies interfaces, digital rhetoric, participatory audiences, and technical communication. He has been published in Computers and Composition, enculturation, Rhetoric Review, Transformations, Technical Communication Quarterly, and Written Communication. In addition to Update Culture, he co-edited a 77-chapter collection with Dànielle Nicole DeVoss titled Explanation Points: Publishing in Rhetoric and Composition. As he mentions in the episode, he's also part of a team working on a National Science Foundation grant entitled "Advancing Adaptation of Writing Pedagogies for Undergraduate STEM Education Through Transdisciplinary Action Research."
Sarah Riddick is an Assistant Professor in the Department of Humanities and Arts at Worcester Polytechnic Institute, where she directs the degree-granting Professional Writing program and teaches courses about rhetoric and writing. Her research focuses on the intersections of rhetorical theory, digital rhetoric and cultures, and emergent media. She is currently exploring how social media offers new methodological and pedagogical opportunities for rhetorical studies, with a particular emphasis on how online audience engagement can inform and enhance methodological approaches to rhetorical audience studies and digital rhetorics.
This episode features a clip from YACHT's "The Afterlife (Instrumental)."
This episode features an interview with Tarez Samra Graban, an associate professor in the Department of English at Florida State University. Dr. Graban was also the keynote speaker at Middle Tennessee State University’s annual Peck Research on Writing Symposium in February 2020. This interview was recorded just after that keynote, which was titled “Rhetoric, Feminism, and the Transnational Archive.”
In this interview, Dr. Graban discusses her work on global and transnational rhetorics, archival methods, and rethinking the role and structure of rhetoric and writing majors at US universities. In particular, we discuss four of her projects. First, Alternative Sources for Rhetorical Traditions, an collection coedited by Graban and Hui Wu. Second, Teaching Rhetoric and Composition through the Archives, another collection Dr. Graban is coediting, this time with Wendy Hayden. Third, her 2017 article “Decolonising the Transnational Archive,” which was published in the African Journal of Rhetoric. And finally, a chapter she cowrote with Meghan Velez for the Routledge Handbook of Comparative World Rhetorics, which came out last year.
This episode features a clip from Mystery Mammal's "Archives."
This is a short episode to make a quick announcement: Over the last week, a bunch of rhetorically inclined podcasts have been putting out new episodes as a part of The Big Rhetorical Podcast Carnival 2020. Organized by The Big Rhetorical Podcast’s Charles Woods, the carnival’s theme was "The Digital Future of Rhetoric and Composition," and its multitudinous episodes will be music to the ears of many Rhetoricity listeners. You can find those episodes via The Big Rhetorical Podcast's Anchor page or Twitter account.
In addition to plugging the carnival, this episode features a clip from Rhetoricity's contribution, which is entitled "Futures in the Present Tense" and weaves together reflections on the pandemic, Adventure Time, Afrofuturism, and rhetoric and composition.
This episode of Rhetoricity features contributions from four rhetoric scholars: Kati Fargo Ahern, Ben Harley, Lee Pierce, and Rachel Presley. Their pieces address questions asked by previous guest Damien Smith Pfister: "What juxtapositions in rhetorical studies have you found fruitful, generative, aiding in the process of invention or theorizing, and/or what juxtapositions ought we have? Is there a juxtaposition of two things that we ought to explore but we’re not currently exploring?"
The contributors respond to Pfister's questions from a variety of angles, touching on memoir, sonic rhetorics, everyday life, visual rhetoric, discriminatory design, cartography, and indigeneity. You can find the photos referenced in Pierce's piece here.
This episode features clips from the following songs:
This episode features an interview with Dr. Ersula J. Ore, recorded at the 2020 Modern Language Association Convention in Seattle, Washington.
Dr. Ore is the Lincoln Professor of Ethics in the School of Social Transformation and associate professor of African and African American Studies at Arizona State University. Her research explores the suasive strategies of Black Americans as they operate within a post-emancipation historical context, giving particular attention to the ways physical and discursive violence influences performances of citizenship. Dr. Ore received the 2018-2019 Outstanding Mentor award from Arizona State’s Center for Global Health, and her book Lynching: Violence, Rhetoric, and American Identity received the 2020 Book Award from the Rhetoric Society of America. Her current research investigates the ways civility discourse masks misogynoir and how such masking reinscribes civility as the racist articulation of a past that expresses the desire for a particular kind of quote-unquote “ordered” present and future. You can check out some of this thinking in her 2019 Organization for Research on Women and Communication keynote entitled “Citizenship, Civility, and the 'Black Looks' of Sandra Bland” as well as “Lynching in Times of Suffocation: Toward a Spatio-Temporal Politics of Breathing,” a co-authored piece with Matthew Houdek that is forthcoming this fall in Women’s Studies in Communication.
In this episode, we discuss Lynching, focusing on the circulation of lynching photographs as a form of epideictic rhetoric, the relation between racism and intention, and experiences that informed Ore's book and her perspective on rhetoric.
A heads-up to listeners that this episode includes extensive discussion of anti-Black violence.
This episode includes a clip from Daniel Birch's "History Repeats Itself."
Note: The deadline for submissions has passed. But please feel free to get in touch if you have ideas for segments and collaborations, whether related to this call or not!
This is more of an invitation than a regular episode. I'm interested in hearing listeners' responses to the question posed by Damien Smith Pfister and Michele Kennerly at the end of the previous episode. Here is that question:
What juxtapositions in rhetorical studies have you found fruitful, generative, aiding in the process of invention or theorizing, and/or what juxtapositions ought we have? Is there a juxtaposition of two things that we ought to explore but we’re not currently exploring?
I'll be taking proposals for short audio essays responding to that question through April 3. Listen or read the transcript for more details!
Note: Interested in the intersections of rhetoric and sound? The deadline for submissions to the 2020 Sound Studies, Rhetoric, and Writing Conference is Feb. 21! The CFP and submission instructions are available here.
This episode features Michele Kennerly and Damien Smith Pfister, co-editors of the 2018 collection Ancient Rhetorics and Digital Networks. The interview, recorded at the 2018 Rhetoric Society of America conference, focuses on that collection.
Kennerly and Pfister discuss the important distinction between "ancient" and "classical" rhetoric, the challenges and possibilities of linking ancient rhetorics to digital networks, and the rhetorical and civic power of internet memes.
Michele Kennerly is Associate Professor of Communication Arts and Sciences and Classics and Ancient Mediterranean Studies at Penn State University. In addition to co-editing Ancient Rhetorics and Digital Networks, she is the author of Editorial Bodies: Perfection and Rejection in Ancient Rhetoric and Poetics and co-editor of Information Keywords, which is forthcoming this fall. She is President of the American Society for the History of Rhetoric and serves on the Council of the International Society for the History of Rhetoric.
The interview also features Damien Smith Pfister. He is Associate Professor of Communication at the University of Maryland, co-editor of Ancient Rhetorics and Digital Networks, and author of the book Networked Media, Networked Rhetorics: Attention and Deliberation in the Early Blogosphere. His next book project is tentatively titled Always On: Fashioning Ethos After Wearable Computing, and he is the newly minted book review editor for the journal Rhetoric Society Quarterly.
Along with past guest Casey Boyle, Kennerly and Pfister will be editing a new book series for the University of Alabama Press. Entitled Rhetoric + Digitality, the series will provide a home for the best work emerging at the intersection of rhetorical studies and digital media studies.
This episode includes clips from the following:
This episode features an interview with Laura Micciche. It was recorded during her visit to Tennessee for the 2019 Peck Research on Writing Symposium. Dr. Micciche was the keynote speaker at the symposium, an annual event hosted by the Department of English at Middle Tennessee State University. Each year, a rhetoric and writing scholar delivers a talk about their research and facilitates a workshop based on that research. This year’s symposium will take place on February 28, and will also host the annual meeting of MidSouth WPA, an affiliate of the Council of Writing Program Administrators.
Laura Micciche is a professor in the English Department at the University of Cincinnati. Her research focuses on writing pedagogy, rhetorical theory, and writing program administration, and she’s the author of the books Doing Emotion: Rhetoric, Writing, Teaching and Acknowledging Writing Partners. The latter is available as an open-access book through WAC Clearinghouse. Dr. Micciche has also written copious articles, including a recent coauthored piece for College English entitled “Editing as Inclusion Activism,” a College Composition and Communication article entitled “Toward Graduate-Level Writing Instruction,” and an article in the journal WPA entitled “For Slow Agency.” She recently completed a six-year tenure as editor of the journal Composition Studies. Her current research is on the mundane aspects of academic writing, which she focused on in her presentation at MTSU.
In this interview, Micciche discusses Acknowledging Writing Partners, the concept of slowness in relation to teaching and WPA work, the importance of methodological inclusiveness, and her interest in the mundane, including the nonhuman animals and objects that populate the places where academics write.
This episode features a clip of the song "Special Place" by Ketsa.